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Post by cuttoff on Nov 21, 2013 11:38:31 GMT
Kasabian songs have some very amazing intros and outros. Which ones do you like most? I know we have lots of ID fans here, I guess everybody loves the intro live, it's so intense. I have a well-documented weakness for (the old) Fast Fuse outro, which is one of the best things in this life and maybe we're deprived of it once in a while so we'll appriciate it more. Not having the outro on the album is probably the one thing they've done that I strongly disagree with. I love Cutt Off's intro and outro, they're probably my favourite bits of my favourite song. I love the old versions of it, with Tom singing along the outro. I wish I'd see one day. This is very special, I love this version but I have no idea what is Serge singing along during the outro - does anybody have an idea what is it? Another favourite is Ovary Stripe (Band Remix) drums intro. Days Are Forgotten outro is so good as well, I wish they'd do it longer, there is a delicious radio edit of the single, the drums going on for a bit more, it's so gorgeous. And I loved when they used to play that prolonged Shoot The Runner ending, I thought it's so hot.
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Post by jayfreeman on Nov 22, 2013 12:40:32 GMT
My favorite into is probably the one of Days are Forgotten, it leads you to the main tempo very swift ans smooth at the same time. And my favorite outro has to be album version of Cut Off.
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Post by highroyds on Nov 23, 2013 22:32:30 GMT
I really enjoyed the Shoot the Runner ending when Tim played it over and over during the Munich soundcheck.
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Post by cuttoff on Nov 24, 2013 10:08:25 GMT
Everything about the Munich soundcheck was lovely. Speaking of outros overheard at soundcheckes, the new Take Aim / Everybody outro was so lovely to hear in Bridlington, with Tim and Gary going on and on.
Another absolute favourite intro/outro is when they used to play Club Foot and Stuntman after each other and the Club Foot ending would merge into the Stuntman intro. I miss it so much, those two songs were just meant to be played with each other.
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Post by Deleted on Dec 1, 2013 17:58:30 GMT
I thought the new intro Tim player for Goodbye Kiss at HRC was really sweet!
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Post by zeneo on Mar 28, 2014 15:24:34 GMT
Favourite intros - Underdog. The synth is just amazing! I.D. I don't have to explain this. U-Boat. Really mystical. Let's Roll Just Like We Used To. This may be something most won't agree with me, but the intro is just splendid, like some opening to a Spanish movie, then those weird vocals give it some alienating vibe. Club Foot. Simply genius.
Outros Re-Wired - I like the strings in the end. It's like 3 violins playing separately then all of a sudden they become one in perfect unity. Switchblade Smiles - It ends like how a person feels like after coming out of trance and realising the mess he has made. La FeƩ Verte - I instantly get the 'send me down the river' vibe. It's like literally drowning in your state of mind and all of a sudden, your loved one wakes you out of this dream you have. West Ryder Silver Bullet - I love it no matter what anyone says.
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Post by cuttoff on May 27, 2014 22:37:46 GMT
The new Empire intro. I'm in love.
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Post by highroyds on Aug 30, 2014 16:10:11 GMT
The Club Foot outro they used to play a few times in summer 2010.
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Post by bumblejaybee on Jan 28, 2015 15:02:28 GMT
Im loving the Black Skinhead intro at the moment.
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Post by cuttoff on May 26, 2015 14:17:56 GMT
bump
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Post by flipflop on May 26, 2015 19:31:57 GMT
I bloody love the Doomsday outro. I want to hear it LIVE, it'd be amazing. Sort it out, Kasabian!
And yes, I.D., of course. Always.
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Post by joshman on May 27, 2015 13:07:38 GMT
fast fuse outro is stuff of legend
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Post by glassjaw on Jun 22, 2015 5:50:39 GMT
I honestly agree with everything mentioned so far The Doberman has an amazing outro as well, how it just builds and builds up to that one drum hit and then goes into madness before winding down. Same with every final album song actually, they all have great outros. Also not sure if this counts but I'm in love with the lack of a transition between Clouds and Eez-eh on the album, it just dives right in.
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Post by highroyds on Jun 22, 2015 10:17:42 GMT
Also not sure if this counts but I'm in love with the lack of a transition between Clouds and Eez-eh on the album, it just dives right in. I love that. When I first heard the album I said it sounds like Eez-eh is elbowing Clouds out of the way. They did it live exactly like that, and at one of the Brixton gigs Serge jumped over a monitor at the end of Clouds and landed right when Eez-eh started. He probably rehearsed that.
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Post by veronica on Jun 22, 2015 17:08:06 GMT
Tim's live Re-wired intro and outro.
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